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D E L I C A T E N O I S E
as electronic components shrink
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in reality he used different (linguistics)
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in reality he used different (syntax)
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theory
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gliese 581c is among the most likely
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Mark Andrushko is a cinematic sound artist
Originally from Chicago
Marinated in Los Angeles
Currently in Austin
Delicate Noise music has been featured on Investigation X, Solved and Hardcover Mysteries
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FILMEZZA
Filmezza is an honest, optimistic and weighted electronica record. The album unfolds like the telling of a dream - warm and sentimental songs wash in and out with lullaby-like melodies.
In den USA ticken Uhren manchmal langsamer. Mark Andrushko aus Chicago liebt den melodischen Elektronika-Sound der Jahrtausendwende, fühlt sich ihm verpflichtet wie ein Museumskurator, der stolz seine zusammengeklaubten Fundstücke immer wieder neu arrangiert und ins beste Licht rückt. Dabei spielt neben klaren Kopfnickern in Richtung Boards Of Canada die skurrile Darkness hier eine tragende Rolle. Obskure Klanggebilde, verhuschte Samples bilden den Gegenpol zu den schweren HipHop-Beats und den typischen Harmonien, die Elektronika erst groß gemacht und dann zu Grabe getragen haben. Und wenn auch nicht alle Tracks wirklich überzeugen können, so muss man dem Album doch Größe attestieren. Weil komplett glitschfrei und wegen der immer wieder aufblitzenden Euphorie.
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Filmezza was the type of album I always wanted to make. But to achieve that was another thing. Once I started Filmezza I fell into the trap of not liking what I came up with. At times I would work on songs for weeks and then just get rid of them. I knew where I wanted to land with this album but I was having a hard time getting there and I guess that's one reason it took 2 years to finish.
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FILMEZZA REMIXES
Delicate Noise returns with the companion release to 2009's Filmezza, with an intriguing collection of remixes from an even more intriguing list of talent:
Jauzas the Shining
Knowing Looks
Sunao
Document One
Heinrich Dressel
10-20
Tension Co.
I wasn't too familiar with their music, which was good because I did not have a preconceived idea of what it should sound like. Also I started looking more at iTunes, to see what's being released and by whom... and I started approaching musicians that I liked and that I thought could work with my sound and that were kind of on the same page with me. Only after I secured all seven of them did I realize that they were all from different countries... France, Japan, UK, Iceland, Italy, Canada and Spain. It was totally not planned. After listening to their own music, I heard myself a little in each of them. And I think that's what made me comfortable in contacting all seven of them.
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